30 7 / 2012


As a Batman fan, one of my favorite things about Nolan’s trilogy is the variety of comic story lines that he draws inspiration from and weaves into his own vision of the character. Watching The Dark Knight Rises, I ticked off the same mental checklist as plenty of other moviegoers. The Dark Knight Returns, Knightfall, No Man’s Land, etc.

But there was one element that reminded me of something else altogether. The hero defeated by the monster that had taken control of the city, while their love interest stood by and watched. Banished to a distant, inescapable prison, helpless and powerless in the dark. Advised on the the only means of escape by a friendly fellow inmate who helped them survive. And finally, the hero ascends (against all odds but never doubted by the audience), climbing up sheer stone towards a circle of light high above. They escape out into the world for the final battle, much to the shock of the villain.

I’ve seen that in a comic book movie movie before: Supergirl.

For those who haven’t seen it, Supergirl was a 1984 spin-off of the Christopher Reeve Superman movies. It’s one of the better female-led comic book movie out there (though that’s really really not saying much) and is a bit of campy eighties superhero fun. I’d rank it as slightly better overall than Superman III (also not saying much). It’s one of the reasons I became a superhero fan early on in my life.

After watching The Dark Knight Rises, I had to pull out my Supergirl DVD to see what other similarities there are. Several jumped out:

- The trouble starts when a woman stumbles across and steals something precious to the hero—an object that played an important part in motivating the hero to put on a costume.  (Selina in TDKR, Selena in Supergirl)

- Said thief lives in a what is supposed to be a bohemian dump (but it looks pretty awesome) with a rather annoying roommate/bff. (Holly in TDKR, Bianca in Supergirl)

- A city is threatened when a sphere with a bunch of lights that was intended to be used as a source of power is utilized by the villain as a weapon, putting the hero on a ticking clock counting down to doom. (fusion generator core in TDKR, Omegahedron in Supergirl)

- The female lead by turns plays meek as a disguise and maims men who offer unwanted come-ons. (Selina and Kara)

- Said female lead never actually refers to herself by the alias that most fans know her by. (Catwoman and Supergirl)

- The hero falls for a romantic interest that comes from a whole different class/world. (Selina and Ethan)

- Said romantic interest strikes a key blow in the final battle with the villain. (Selina shooting Bane, Ethan releasing the Omegahedron)

- British guys who are treated like crap by the people who are supposed to be their closest ally. (Alfred and Nigel)

- Science-savvy mentors/father figures with a mischievous streak. (Lucius Fox and Zaltar)

- League of Shadows vs Power of Shadow

Another interesting link? Helen Slater, who played Supergirl, also voiced Talia al Guhl in Batman: The Animated Series.

Granted, many of the ties are either superficial or common superhero movie tropes (Bruce knew that cutting-edge science is ALWAYS used for evil at some point). But even even with that in mind, even considering how different in tone these two movies are, there’s something wonderful about those little reminders of the stories that made you fall in love with superheroes in the first place.

08 9 / 2011


So very Audrey Hepburn!

Very classy! I approve.